Archive for the 'Amnesia' Category

Inspiring examples of tactile creative execution

Before computers became useful and the internets invaded our homes, people made things from wood and fabric and paint and sticks. It was messy and sometimes smelly and quite often you’d cut your finger.

What I love about these examples is they demonstrate people going out of their way to use real world materials and knowing when to slow down and consider a different approach. An approach that might seem absurd at the time but could lead to great things.

HunterGatherer makes simply beautiful things. Then they make them appear to move. These guys love their wood grain.

HunterGatherer from Arkitip, Inc. on Vimeo.

Johnny Kelly likes paper a lot. Someone should tell him he could really cut his finger on that.

Making of ‘The Seed’ from Johnny Kelly on Vimeo.

I’m seriously hoping no interns were harmed in the making of this bit of stop motion animation from THANK YOU in Denmark.

BOOGIE Prisen from THANK YOU on Vimeo.

Here in the studio at Amnesia Razorfish we’ve been known to occasionally step away from the keyboards to create things out of real materials.

Sandor Moldan and Mike Kleinman worked bizarre magic on the previous incarnation of Mountain Dew’s site for Australia. Claymation zombies and bitchslapped rhinos adorned a hand crafted mountain of delights. (The site is no longer live, unfortunately.)

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…and more recently Sandor and @eunmac created a wave tank for the background effect in the site we concepted and built for P&O Cruises Australia.

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Check out the “making of” here…

@iclazie

Smirnoff Mule runner up in Creative Showcase awards

Congratulations to the Mule team for collecting this award last Friday!

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http://www.itstartedwithamule.com/ 

And hats off to Soap for taking first.

@iclazie

Jeremy’s Bing photo features in TV ad

This TV ad for Bing implies vampires are fans Amnesiafish Jeremy’s photo contest winning lightning shot.

Nice one, Jeremy! You’re a big hit with the undead.

@iclazie

Vote for Jeremy’s photo in the Bing Summer Travel Photo Contest

UPDATE: He won!!! Watch for his photo on Bing on August 3rd. Nice one…

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Man of many talents, jack of all trades, our very own Captain Creative, Jeremy is in the running to win a Bing home page photo contest.

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Help him get there by voting and see this amazing lightning shot grace the front of Bing.

http://apps.facebook.com/bing_photo_contest/top_photos?_fb_q=1

Do it now!!! :-)

@iclazie

Kleinmania. Now slightly more popular than ever.

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The man who puts the Klein in Kleinmania (one of our senior designers at Amnesia Razorfish here) was interviewed by The Publics.

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“Kerning is an interesting process because it can be very time consuming and it’s usually invisible, as in you only notice it when it’s bad … To my knowledge nobody has ever died from poor kerning.”

Read the interview: http://pblks.com/2009/07/the-worlds-smallest-mania/

Kleinmania on Tumblr: http://kleinmania.tumblr.com/ 

@iclazie

5 tips for creating your first digital design portfolio

At our 2009 Open Studio event I gave a short seminar about first time online portfolios. Here’s a recap of the points made:

UPDATE February 2011: As a result of this post I’ve now written a book on the topic. Creating Your Digital Portfolio: The Essential Guide to Showcasing Your Work Online is now available. Check it out…

Here’s the original post…

1. Don’t reinvent the wheel (unless you’re looking for work
reinventing wheels)

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A lot of effort is spent building portfolio sites from the ground up. Unless you’re specifically aiming to show off your ability to design and build a portfolio site (and are confident you can do this in a way that competes with the free industry standard options available) you might consider using some easier options to save time and assure a usable, professional presentation.

Here’s just one example of an off the shelf solution to the portfolio problem: Create your own free portfolio with bells and whistles at Krop’s Creative Database: www.krop.com/creativedatabase

Another simple option is to take advantage of the browser scroll bar. As long as the work is clearly displayed there’s nothing really wrong with a long scrolling page for displaying content. Works for blog posts all the time. Here’s an example: http://samegoes.com/ 

2. It’s about the content

What do these two objects have in common?

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Aside from the fact that both of them are contexts for the presentation of visual communication, they’re both relatively minimal. Again, unless it’s really important that you demonstrate an ability to redefine the packaging your work sits in, remember the advice of erring on the side of minimal so the content jumps out.

(One exception to this that comes to mind which works well is the portfolio of a digital senior creative we’ve worked with where you have to play pong and then choose the correct holy grail from the fakes to enter the portfolio. :-) It works because the nature of the intended role is one of redefining the rules. And it was well executed. Risky but good.) 

3. Edit and organise

There’s a natural tendency to want to include everything you’ve ever done. Sometimes a review can be going well and then one piece triggers a feeling of ‘wow, how did that wind up in here? It was going so well.’ Edit your main portfolio down to your strongest work, even if it’s not that many pieces. It’s always acceptable to have additional categories off the main area (additional albums, essentially) for displaying backup examples if the reviewer wants to drill down.

Consider leading with your strongest work and wrapping up with your second strongest to start and end with best impressions.

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4. Know your objective

Know what type of work you’re going for ahead of creating your portfolio so you don’t wind up with something lacking focus. It shows.

imageKnowing your objective will also help you identify your intended audience which will help you make decisions when you edit your work, and when you choose your presentation platform.  

Think of your portfolio as a stage. The moment before it’s reviewed is like the moment before the curtain opens. Your audience really doesn’t know what to expect.

In this context, here are three example objective and material pairs to consider:

  • Objective work: interactive design = work to display: screen mockups
  • Objective work: ideas and art direction = work to display: sketches and rationale through to finish output
  • Objective work: illustration = work to display: illustration in full and detail views, both in and out of context

5. Get the metadata right: what was the brief and what was your role?

It’s important for reviewers to know A) what the problem your work is addressing is for any given piece, and B) what exactly your role on a particular project was.

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It’s best when this information is clear, concise, consistently structured and easy to scan.

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Feel free to comment if you’ve got any questions or ideas on these tips.

Here’s a related blog post from ANidea: 10 Tips for Landing an Interactive Design Job

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UPDATE February 2011: As a result of this post I’ve now written a book on the topic. Creating Your Digital Portfolio: The Essential Guide to Showcasing Your Work Online is now available. Check it out…

Amnesia Razorfish Open Studio 2009

Open Studio 2008 was great so we thought we’d do it all again only bigger and better…

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Are you a digital design student or just starting your career?

Amnesia Razorfish – AdNews Interactive Agency of the Year for 2006, 2007 and 2008 – is committed to helping young designers and students get the best start in their career possible and is hosting an evening of seminars and dialogue this 7 th & 8th of April from 6pm to 9.30pm.

REGISTER ONLINE at www.amnesia.com.au/openstudio

With the success of last year’s program we’re opening our doors again and this Open Studio 2009 will be even better. For a recap of last year’s event, visit www.amnesia.com.au/openstudio2008

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Open Studio is open to all design students and young designers and is focused on giving practical advice on a variety of topics through short seminars and one-on-one sessions with our Senior Designers and Art Directors.

The evening runs over two nights and includes seminars and info on:

Portfolio preparation
Tips and tricks on how to prep your portfolio for interviews

Ideas out of thin air
The best techniques for creating ideas and brainstorming

From student to designer
How one of last years’ Open Studio attendees ended up working full time for Amnesia Razorfish

A different side of social
Facebook, MySpace and Twitter like you’ve never seen them before

Designing and developing with Flash
The dark art of Flash explained

Portfolio review
We’ve seen a lot and can help you tweak yours

Creative surgery
Designer’s block? Get some advice from our Art Directors

Best of all, it’s totally free, no strings attached!

Space is very limited and it’s first come best dressed, so register immediately to avoid disappointment.

Learn more at www.amnesia.com.au/openstudio

Amnesia Open Studio 2008 – 2 & 3 April

Are you a digital design student or just starting your career?

Amnesia – AdNews Interactive Agency of the Year for 2006 and 2007 – is committed to helping young designers and students get the best possible start in their career and is hosting two evenings of seminars and dialogue this April in conjunction with Semi-Permanent.

Amnesia Open Studio 2008

Our program is open to all design students and young designers and is focused on giving practical advice on a variety of topics through short seminars and one-on-one sessions with our Senior Designers and Art Directors.

The evening runs over two nights and includes:

Brainstorming seminar
Tips and tricks on how to generate ideas and think outside the box

Getting your career started
Practical advice on how to break into the world of design

Designing and developing with Flash
The dark art of Flash explained

The future of digital
The end of the world is nigh, digital is just beginning

Portfolio review
We’ve seen a lot and can help you tweak yours

Creative surgery
Designer’s block? Get some advice from our Art Directors

And best of all, it’s totally free, no strings attached!

Space is very limited and it’s first come best dressed, so register immediately to avoid disappointment.

REGISTER ONLINE at www.amnesia.com.au/openstudio

Learn more about Amnesia on our website and our blog

Amnesia wins AdNews Interactive Agency of the Year for the second year in a row

We’re pretty happy about it. Had a good time on the night and have been celebrating (and working hard) ever since.

More pics and comments on Amnesia Blog…

Nike ACG

France AARF office Duke created this beautiful nav system with quality sports video content. Visually stunning, nice UX detail and overall brilliant execution. Great work, Duke.

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www.nike.com/nikeacg

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@iclazie


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